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Impression, Sunrise, 1872. The harbor at Le Havre, and the painting that gave Impressionism its name.

Starry Night Over the Rhône, 1888. Arles, painted outdoors at night. Musée d'Orsay, Paris.

The Ten Largest, No. 7, Adulthood, 1907. Tempera on paper, more than three meters tall.

Color is the keyboard, the eyes are the hammers, the soul is the piano with many strings. Concerning the Spiritual in Art, 1911

The Kiss, 1907–1908. Oil and gold leaf on canvas. Belvedere, Vienna.

Composition VII, 1913. Tretyakov Gallery, Moscow.

Water Lilies, 1906. A slow pan across the pond at Giverny. Art Institute of Chicago.

The Large Blue Horses, 1911. Walker Art Center, Minneapolis.

Rain, Steam and Speed – The Great Western Railway, 1844. National Gallery, London.

Color has taken possession of me; no longer do I have to chase after it. I know that it has hold of me forever. Color and I are one. I am a painter. Diary, Tunisia, 1914

Simultaneous Contrasts: Sun and Moon, 1912–13. The Museum of Modern Art, New York.

Composition II in Red, Blue, and Yellow, 1930. Kunsthaus Zürich.

The Houses of Parliament, Sunset, 1903. National Gallery of Art, Washington.

The Scream, 1893. National Museum, Oslo.

Portrait of Félix Fénéon, 1890. The Museum of Modern Art, New York.

Almond Blossom, 1890. Painted for his newborn nephew. Van Gogh Museum, Amsterdam.